
Thursday, November 5, 2009
Weather Report Above the Frost Line 11-5-09

Tuesday, November 3, 2009
Bio - Poet Heather McHugh

Exuding a love of language, wit, and observation, McHugh creates poems that are profoundly intelligent. Through the use of puns, rhymes, and syntactical twists, her work is an ongoing inquiry into the ways language can aid and impede participation in life. “I write because I want to find out what was bothering me . . . I’m not sure what it is that wants to be said, but I’m there to be its scribe,” says McHugh. “Almost always I’ve seen some pattern. Then comes a rocking and a humming. I find language to document that play of patterns in the world.”
In her book The Father of the Predicaments (1999), McHugh takes her cue from Aristotle, who wrote that “the father of the predicaments is being.” The book opens with a long poem about a loved-one dying and the limits of speech: “What did she mean? All I can call upon/is words—unsatisfactory to say/the least—a nomen always aiming/for amen, a pupil meaning/well, pre-emptively.”
McHugh’s honors include two grants from the National Endowment for the Arts, the Griffin Poetry Prize, and a Guggenheim Foundation fellowship. In 1999 she was elected a Chancellor of The Academy of American Poets. McHugh is Milliman Distinguished Writer-in-Residence at the University of Washington in Seattle. She frequently teaches as Visiting Professor at the Writers' Workshop in Iowa and has held chairs at the University of California at Berkeley, the University of Alabama, and the University of Cincinnati.
Selected Works
Dangers (1977)
A World of Difference (1981)
To the Quick (1987)
Shades (1988)
Hinge & Sign: Poems 1968-1993 (1994)
Broken English: Poetry and Partiality, essays (1993)
The Father of the Predicaments (1999)
Glottal Stop: 101 Poems of Paul Celan, translation with Nikolai Popov (2000)
Cyclops, Euripides, translation (2000)
Monday, November 2, 2009
Poet Heather McHugh Wins Mac Arthur Fellowship
Nancy Simpson says: Hello Followers. Heather McHugh was the poetry professor I worked with in the Warren Wilson M.F.A. Writing Program.

Congratulations to Heather McHugh for receiving the $500,000. Mac Arthur Fellowship Award. Read more.
Thanks to the blogpoesy galorefor this news. Blogpoesy
reports:
"I’m delighted to learn that Heather McHugh, published in 32 Poems, won aMacArthur (aka genius grant) fellowship. The poem we published by McHugh is entitled “Ill-Made Almighty” and was republished in Best American Poetry. I’ve been reading her since a mentor during my college years lent her book to me, and it’s a thrill to have published her and to see her win this life-changing award of $500,000."
From the press release:
This past week, the recipients learned by a phone call out of the blue from the Foundation that they will each receive $500,000 in “no strings attached” support over the next five years. MacArthur Fellowships come without stipulations and reporting requirements and offer Fellows unprecedented freedom and opportunity to reflect, create, and explore. The unusual level of independence afforded to Fellows underscores the spirit of freedom intrinsic to creative endeavors. The work of MacArthur Fellows knows neither boundaries nor the constraints of age, place, and endeavor.
Sunday, November 1, 2009
Saturday, October 31, 2009
Two Poems by Glenda Council Beall, Poet of the Month for October 2009
The sensuous words of Glenda Beall’s poems carry the reader into unforgettable landscapes: the richly textured scenes of the rural south and those of the human spirit with its joys, challenges, and yes, its music.
Janice Townley Moore, author of Teaching the Robins, and winner of the Press 53 Poetry Award for 2009
Ballet in the Piney Woods
Little girl sunsuits littered the wiregrass.
Summer warmed small bronze bodies
that danced on the stage of a fallen oak,
to songbirds’ music from the mayhaw.
They felt, at five, the kiss of butterflies
upon their eyes, breathed honeysuckle air.
Like sylphs set free they twirled, arms open,
gathering the breeze against their bareness.
Chastised for their boldness by older girls
who barged into their glade,
the innocents saw themselves
and were ashamed.
Lift Your Glass
From the vineyard,
she burst forth
with a hint of blush,
a touch of dew
upon her cheek.
Battered by winds, rain and time,
rooted deep, she toughens
to a satiny sheen.
Finally, crushed by adversity
she emerges, life's
finest nectar.
Drink a toast to woman.
Previously published in Red Owl Magazine, 1999)
Here is more Glenda Counci Beall pubishing information.
Poems:
"Big Sur" - Storyteller magazine 1996
Tuesday, October 27, 2009
Poet Nancy Simpson Celebrates the First Anniversary of This Site LIVING ABOVE THE FROST LINE
Sunday, October 25, 2009
The Nantahala National Forest in the Western North Carolina Mountains
Leaf Color at Peak in Western North Carolina Mountains
Thursday, October 22, 2009
Do You Want to Order Glenda Beall's New Book? I have ordered my copy, and I expect it my mailbox any day now.
Finishing Line Press is now taking orders for Glenda Council Beall's poetry chapbook, Go online to www.finishinglinepress.com
N.C. Poet Laureate Kathryn Stripling Byer says of this book:
"Like William Wordsworth, Glenda Beall was raised knowing well the "yoke of earth,"how the fields, pastures and woodlands yield both beauty and terror. Her evocationsof being a daughter in the deep South, growing up on a farm, riding her mare, witnessing death and tragedy, as well as joy and fruitfulness, ring absolutely true. She gives us love poems from a mature woman's perspective,too, and poems that celebrate the vistas and culture of the mountains where she now lives. Every poem pulses with detail that brings life back to us in all its varied detail and music. The "yoke of earth" is also the poet's yoke, and she bears it gladly."
Nancy Simpson, poet, editor, teacher says:
In this poetry collection, “Now Might as Well Be Then,” contentment finds Glenda Beall moving from present to past, from past to present, easily as stepping room to room in a house. With brilliance she uses simultaneity to blend memory with the strong desire for life now.
TWO POEMS BY GLENDA COUNCIL BEALL on this her Birthday

Violent Scene from Yellowstone’s Valiant Wild
A young male strode down the mountainside,
crossed the road, strutted into shallow waters
of the Gallatin river. He stalked the old bull elk
on the other side.
Grazing alone in burned out woods, the herd master
ignored the gauntlet for a while, then like a rattler
striking, charged from the bank. The clash of antlers
cracked like breaking pines in an ice storm, rolling sound
upstream and down. Silently I cheered the scarred-back leader.
On land once more, the battle halted
while both tried to maneuver bony-branched horns
between the lodge poles. A minute’s rest
then back into the current.
Strong hind quarters, taunt neck muscles, bunched
like iron cables, pushed, retreated, up and down
the icy stream. The match wore on for more
than twenty minutes.
Heads low, antlers commingled like old bones
collected in a basket, until the young stud forced
his aging foe beneath the water’s surface, held him there.
The veteran of a life of valiant clashes
broke free at last, crashed and splashed
downstream bleating like a lamb who's lost his mother.
Posing for cameras on the roadside,
the victor, centered in the roaring river,
raised his head and shook his massive rack,
bugled his triumphant call to his new harem.
Mountain Seagull
Mountains stretch like layers,
Payne's Grey parchment,
growing fainter
as they reach toward
pale cerulean sky.
The Bald pokes its head
up through a cottony mist.
Lake Chatuge wraps the mountains,
lapping love, cool in coves
tucked tightly between peaks.
Sailboats, triangles, red and yellow
wrapping paper, swiftly blow
before the wind that rustles
maples, locust trees
where songbirds rest.
My spirit soars above the scene
a seagull far from home,
But yearning to embrace
and build a nest.
Two Poems by Glenda Council Beall
Sunday, October 18, 2009
Weather Forecast Tonight Above the Frost Line
Thursday, October 15, 2009
Bright Colored Leaves and Flowers in Full Bloom Here Above the Frost Line
It is that oxymoron moment in time when bright colored leaves and flowers with full blossoms share the grounds of Cherry Mountain. Frost threatens and some flowers in the valley have bent low. But not here above the frost line. We do get an extension. Yes, I know, the hard freeze shall come, but until every every leaf has fallen and until every flower melts, it's that oxymoron time of year that defines the spirit in which we live here above the frost line.
Tuesday, October 13, 2009
Glenda Council Beall is Poet of the Month for October 2009
In this her birth month, Living Above the Frost Line celebrates Glenda Council Beall as Poet of the Month of October.Raised on a farm in southwest Georgia in the late forties and fifties with four brothers and two sisters, Glenda finds memories from childhood come to surface in her writing. She also writes about her husband, Barry, and their forty-five years together.
Glenda graduated from the University of Georgia with a teaching degree. She taught in both private and public school elementary grades. Now retired, she enjoys teaching senior adults who are eager to write their memoirs, family stories, and personal experiences. Glenda says she has taken numerous classes from the excellent instructors at John C. Campbell Fplk School , attended workshops and conferences and has learned the ends and outs of writing and publishing. She will offer two classes at J.C.C.F.S. in 2010.
Her poems have been published in Journal of Kentuky Studies,Georgia Journal, Appalachian Heritage, Main Street Rag and a number of other literary magazines.
Her chapbook, NOW MIGHT AS WELL BE THEN is scheduled for release in October 2009 at Finishing Line Press.
Three Poems by Glenda Council Beall
In The Dark
I lie here in bed, my cheek against your shoulder,
remembering a night, long ago, on your boat.
I was afraid. I felt too much, too fast.
But you were tender, and love crept over us
like silver fog, silent on the lake.
We were never again the same.
We stepped like children through that door that led
to long passages unknown, holding hands, wide-eyed, but brave.
Here I am years later, listening to your soft breath
and feeling your warm smooth skin.
In the dark, now might as well be then.
You Never Meet a Stranger
---for Barry
I watch you and I'm jealous. You talk
to people on the elevator, at the airport
standing in line, at the grocery store
in front of the cucumbers.
You are never lost for words, while I
stand stiff, my eyes averted from
the woman's waiting at the post office
window. I can't think of anything to say.
I fear the person will resent intrusion.
But you — you smile and
burst right in. The stranger's eyes
light up and suddenly she has
become your friend.
The Drive Home
I sit in the driver's seat
watching the ribbon of highway
unfold around each curve.
In the distance grey mountains
loom in misty mounds.
I fiddle with the radio.
Stop when I hear Mozart.
The steering wheel is hard
against my ungloved hands.
No more latex and plastic.
No mask to hide the musty
smell of my old car.
I shed all that inside
your hospital room, and left
without saying goodby,
afraid you'd see finality
in my eyes.
