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Nancy Simpson's LIVING ABOVE THE FROST LINE, New and Selected Poems was published by Carolina Wren Press (N.C. Laureate Series, 2010.) She is the author of ACROSS WATER and NIGHT STUDENT, State Street Press, still available on WWW at Alibris and Books Again. Her poems have been published in Southern Poetry Review, Prairie Schooner, The Georgia Review and other literary magazines. "Carolina Bluebirds" was published in THE POETS GUIDE TO THE BIRDS, Anhinga Press). "Grass" was reprinted in the 50th Anniversary Issue of Southern Poetry Review: DON'T LEAVE HUNGRY ( U.of Arkansas Press.) Seven poems were reprinted in the textbook, SOUTHERN APPALACHIAN POETRY,(McFarland.) Two poems were published in SOLO CAFE, Two more poems were published in SOLO NOVO."In the Nantahala Gorge" was published in Pisgah Review. "Studying Winter" was reprinted in Pirene's Fountain Anthology and "The Collection" in Collecting Life Anthology. Most recently, Southern Poetry Review Edited by James Smith, published "Our Great Depression," and The Southern Poetry Anthology Vol. VII: NORTH CAROLINA,Edited by William Wright, reprinted "Leaving in the Dead of Winter."
Showing posts with label Georgia Poet Dana Wildsmith. Show all posts
Showing posts with label Georgia Poet Dana Wildsmith. Show all posts

Saturday, July 23, 2011

CELEBRATING POET OF THE MONTH OF JULY - DANA WILDSMITH with an announcement and offering you her poems "A Southern Love Poem" and "Drying Peaches"


DANA WILDSMITH - Honored as Recipient of 47th Georgia Author of the Year Finalist for Essay.

July 2, 2011 from Barrow County News
Dana Wildsmith received a welcome surprise during the Georgia Author of the Year Awards ceremony at Kennesaw State University June 11. Wildsmith, who was on hand to introduce Lifetime Achievement Award honoree Terry Kay, was recognized as a Georgia Author of the Year Finalist for her book of essays, "Back to Abnormal: Surviving with an Old Farm in the New South."
Books for sale at Amazon.com



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A Southern Love Poem

Honey, I love you like I love boiled peanuts.
You’re a little bit mushy, a little bit salty
and I stop for a taste of you every chance I get.

Sugar, I love you like I love dirt roads.
The only ride better than taking you
slow and easy on a hot afternoon
is when I slide your curves like a drunk in a four by four. 

The Cokesbury Hymnal would be three pages long
if blind Fanny Crosby could have seen
what a blue-ribbon hound dog you are;
she would have wooed you in common meter,
ditching her hymns to sing your praises.     

Longer than July nights in a hotbox farmhouse,
truer than Billy Graham’s prayers,
tighter than the least one’s hold on his mama’s heartstrings,
will my love forever be yours, Sweet Thing.

You’re slicker than Talladega,
as classic as Gone with the Wind,
more hometown than Patty Loveless or REM,
sweeter than Iris Dement.
How could my heart not be yours?

Honey Child, I’ll love you until
peanuts are no longer boiled,
until every dirt road gets paved.
Until ya’ll becomes singular,
until grits becomes plural,
I’ll love you
my dumplin’
my Moonpie,
my cool mint julep.







Drying Peaches


Perhaps another hurricane,
you and I in our windowless
innermost room
waiting for
the walls to stop panting,
waiting some unclockable while
for the powerless days
when we will be
shoveling roof tiles,
shoveling carpeting, glass,
insulation, our books. We will
breathe sweat,  and the sweet
of everyone’s food putrefying,
everyone’s drowned dogs,
crabs washed in by the tidal surge.
We will sit up nights
letting each other talk.
Only the trees will lie down.
Remember how
filthy we will be.
You and the floors will grow beards.
When the rains come back
as they will
by the second week,
remember 
how disheartened,
how needy we will be
for some unreckoned pleasure
such as these peaches 
I’m putting by—
saving for later—
as I have by long habit
saved for you
the last of the orange juice,
today’s mail,
my egg each month
whether we use it or not.
from One Good Hand

Want to learn about Dana Wildsmith?

GEORGIA AUTHORS, DID YOU KNOW?

Since 1964, Georgia Authors of the Year AWARDS have been awarded to Georgia-based authors, with one winner and one finalist selected for each category. This year, categories included First Novel, Fiction, Poetry, Biography, Essay, Inspirational, Memoir, History, Specialty Book, Children’s Picture Book, Young Adult Fiction, and Children’s Mid-Reader.

Sunday, July 10, 2011

ANNOUNCING DANA WILDSMITH POET OF THE MONTH OF JULY 2011 WITH THREE POEMS


Dana Wildsmith is the author of four collections of poetry: One Good Hand Iris Press, 2005), Our Bodies Remember (The Sow’s Ear Press, 2000), Annie (Palanquin Press, 1999), and Alchemy (The Sow’s Ear Press, 1995). One Good Hand was a SIBA Poetry Book of the Year nominee. In this her birth month, she has been named Poet of the Month of July, 2011.

Wildsmith is  also the author of an environmental memoir, Back to Abnormal: Surviving with an Old Farm in the New South (MotesBooks). 

She has served as Artist-in-Residence for the Grand Canyon National Park and for The Island Institute in Sitka, Alaska, and has been a Poetry Fellow with the South Carolina Academy Of Authors. Her work is widely published in journals and anthologies, including most recently: Writing By ear (MotesBooks), Listen Here: Women Writing in Appalachia (University Press of Kentucky), The Southern Poetry Anthology (Texas Review Press, 2007), and Women, Period (Spinsters Ink). Wildsmith lives in Bethlehem, Georgia.    

Double-digging

Nothing so pleases as
yanking winter grass
from a squared-off plot—
untangling the earth
one hank at a time
while afternoon
rests softly on your back
and options
grit among your thought
like seeds.
August

We break a sweat brushing our teeth.
Fish-slick, who says we gave up gills?
We’re breathing, aren’t we ? The air 
six a.m. is hot water;
the sky is a slap of blue.
We wade into miasma
in t-shirts, shorts and brimmed hats,
sweat-tides already rising
at our necks and armpits and sides
where the heat needs to bubble out.

Sweet Sweat


Wouldn’t seem honest not to sweat,
like claiming bragging rights 
on two armloads of Better Boys
half a pound each with no spots
while you stand there dry as July clay.
It’s sweat proves you grew these beauts.
Sweat’s how you earn your okra;
it’s your right to sweet iced tea;
it’s your Georgia union card.
The deeper you’ve dug 
your generational toehold
into Winder’s red dirt,
Blood Mountain’s granite,
the kaolin clay under Claxton,
the more kinds of sweat
you’re able to tell apart right off--
like knowing you can hear
south Georgia scrub
in that banker’s voice,
despite he claims Atlanta).
From birth, you know underarm sweat so well
it’s hardly worth the mention;
it’s what you get lugging groceries
from car to kitchen. Spend the morning
yanking garden weeds and you get
whole-back sweat, wet neck,
sticky back-of-the-knees.
An afternoon running fence wire
adds scalp sweat to all these,
and digging post holes
puddles hot sweat in your ears.
But it’s when eyelid sweat starts to
gum your lashes that everybody knows
you’ve hauled in groceries, hoed beans,
and by god run forty more feet of fence wire.
You should sit down. Cool off. Let the sweat dry.
Have a glass of iced tea.
You’ve done an honest day’s work.


These poems from One Good Hand by Dana Wildsmith, Iris Press


http://www.danawildsmith.com/One%20Good%20Hand.htm