Living Above the Frost Line is a dwelling place for practicing poets. It is the home of poet, Nancy Simpson. Above the Frost Line we give ourselves some extra growing time. Yes, we know the hard freeze will come, but until it arrives, we shall grow and share our poems.
Nancy Simpson's LIVING ABOVE THE FROST LINE, New and Selected Poems was published by Carolina Wren Press (N.C. Laureate Series, 2010.) She is the author of ACROSS WATER and NIGHT STUDENT, State Street Press, still available on WWW at Alibris and Books Again. Her poems have been published in Southern Poetry Review, Prairie Schooner, The Georgia Review and other literary magazines.
"Carolina Bluebirds" was published in THE POETS GUIDE TO THE BIRDS, Anhinga Press). "Grass" was reprinted in the 50th Anniversary Issue of Southern Poetry Review: DON'T LEAVE HUNGRY ( U.of Arkansas Press.) Seven poems were reprinted in the textbook, SOUTHERN APPALACHIAN POETRY,(McFarland.) Two poems were published in SOLO CAFE, Two more poems were published in SOLO NOVO."In the Nantahala Gorge" was published in Pisgah Review. "Studying Winter" was reprinted in Pirene's Fountain Anthology and "The Collection" in Collecting Life Anthology.
Most recently, Southern Poetry Review Edited by James Smith, published "Our Great Depression," and The Southern Poetry Anthology Vol. VII: NORTH CAROLINA,Edited by William Wright, reprinted "Leaving in the Dead of Winter."
THE CLASS, "WRITE YOUR POEMS IN FREE VERSE FORM," AFTER 8 WEEKS ON TUESDAY AFTERNOONS WITH INSTRUCTOR NANCY SIMPSON, ENDED NOV. 8TH.
Institute For Continuing Learning at Young Harris College.
I hope you are so proud of the Free Verse class. You did a super job of organizing and presenting one type a week with clear examples, and then we had time to respond with our own writing.
The submitting information was very good. I think I submitted more poems in the last few weeks than in the last few years. The way you sent us submission and contest information at the beginning, and then ended with more ambitious projects was perfect.
The opportunity for having two poems critiqued each week, one for whole class, one for you and another poet, was not only very helpful, but also stimulated me to write more than one a week. Great technique.
Mary and I on the way home (we had to rush, she had a client waiting) both talked about the growth we thought we saw, and how much better the last poems were. Wasn't Mary's good about her mother? And the other Mary's poem was excellent. Having two versions of Janet's poem to discuss was very interesting, too. I've only been to a limited number of writing
classes up here, but this was by far the best. --Peg Russell
(Photo above )Janet Bentley, Joan Howard, Clarence Drummond, and (front) class supervisor Ann Cahill.
Yes, I am proud of this class. Your appreciation message means more to me than you realize. During the past 8 weeks, with such a large class,with some beginners and more advanced poets preparing chapbook and full length book manuscripts, my teacher-training provided back-up when I needed it the most. I still believe in "The Teachable Moment." We had a few of those during our 8 weeks together, thanks to the practicing poets in the class who generously shared their knowledge. I saw each class member advance their understanding of poetry week by week. There were many fine poems shared. I expect to see some of those poems in print in the months to come. -- Nancy Simpson
Carol Richard Thompson, Jo Carolyn Beebe, Del Delcuze, Mary Ricketson, Peg Russell